Contributor: Paul Asay

While the film can be twisty and satisfying, the lack of any real praise-worthy behavior feels a bit criminal in itself.

This is a frenetic, bloody mess in some ways. But in that mess, you have moments of moral clarity about what is worth valuing.

In the Dark is aptly named: Better to sit in the dark than watch this show.

You’ve probably never heard of the 1969 Harlem Cultural Festival. But for those who attended, it was life changing.

The show, like its main character, can be pretty grim and rough

While Big Shot hits a few three-pointers, it tosses up plenty of bricks, too.

Back in the day on TV, good was good, evil was evil, and never the twain would meet. But now, of course, they meet all the time.

It has some nice messages about purpose and family. It’s also got a few problems, so be sure to check out our review before you check out the show.

Sheila hates everyone, most especially herself. Perhaps it’s fitting that the show, Physical, is so easy to dislike.

We can’t promise that we’ll engage in a battle royale over scarce resources, but we can guarantee a lively conversation.

I’ve been wondering whether you might eventually go too far. And it seems that, with your rumored retrofit of The Powerpuff Girls, you have.

I was surprised by the redemptive messages I found—along with a bunch of severed demon heads.

Infinite feels like it’s found a fitting niche: To be seen by a few, unseen by most and quickly forgotten by all.

Let’s look at some of cinema’s most powerful, provocative and prickly movies about dads (because we fathers don’t always know, or do, best).

Lucifer’s not such a bad guy. Or at least that’s what Netflix would like you to believe.