The World’s End
The world is coming to an end once again. And for Gary and his mates there’s only one real response: Drink up!
The Grandmaster
You know about Bruce Lee. Now meet the man who trained him in this Chinese kung fu showcase that might actually be more cinematic opera than chopsocky smackdown.
The Mummy
Perhaps it should’ve been kept under wraps.
The Mortal Instruments: City of Bones
Wouldn’t it be cool to be snarlingly attractive, tat-covered and, well, let’s just say it, shadowy, while you cut symbols into your skin and grow ever more powerful? Cassandra Clare’s cinematic creation sure says so.
Final Destination 5
By the fifth film we all know better than to care about who lives or dies. These flicks are all about how they’ll die—and how much it hurts.
The Butler
This is a sometimes gritty and fictional-minded movie, with violence and drunkenness and obscenities and troubling-but-true-to-life racial slurs. It is also a loving movie.
Kick-A– 2
When was the last time you heard of an actor refusing to promote his own movie … because it’s too violent? That’s been Jim Carrey’s stance on this sequel, and now we know why.
Paranoia
Hunger Games star Liam Hemsworth is about to get eaten up by corporate greed and espionage. So is it still paranoia when the danger is real? And is something still immoral if the movie doesn’t mention it?
Jobs
Back in 1974, Steve Jobs was just another aimless guy. But he became one of the most polished and powerful men in the world. This biopic doesn’t quite make the same journey.
Elysium
“Everybody wants to ask me lately about my prediction for the future, whether I think this is what will happen in 140 years,” director Neill Blomkamp told Entertainment Weekly. “No, no, no. This isn’t science fiction. This is today. This is now.”