Believe Me
That tension between satire and salaciousness on the one hand and godly convictions and calling on the other is something Believe Me relishes.
The Maze Runner
In the midst of that dank darkness, the story works hard to hit at some of the big issues teens deal with.
This Is Where I Leave You
Can this crazy dramedy put the fun in dysfunction? Can pigeons in New York clean up their own messes?
Tusk
It’s enough to make me wish the Internet itself had never been invented. But since it was, then all I can say now is: #WalrusNo!
A Walk Among the Tombstones
It’s tense, it’s moody and prickly, and it’s ultimately bloody and grim and deadly. Which, of course, finally leads us right up to those tombstones.
Atlas Shrugged III: Who Is John Galt?
This third and final tribute to Ayn Rand’s hyper-capitalist and hyper-individualist philosophies finally answers the core question. And it’s not the one in the title.
No Good Deed
It’s really nothing more than a lame, sadistically minded thriller that relies on its overbearing musical score to tell you when to jump.
The Remaining
The end has come and there’s little left to do but dodge the demons and … pray.
As Above/So Below
As Above/So Below is unnecessarily profane, populated by albino-skinned dead reaching from pools of blood … and destined for a second slow death on Netflix.
The November Man
While the flick gives Pierce Brosnan a chance to play a spy again, the suave former 007 feels miscast as the bleak and ruthless November Man, and his charm gets lost in the movie’s sadism.