Paper Towns
This flick generally glorifies all the possible train-wreck stuff of high school floundering—from drunken house parties to sneaky sexcapades to secret road trips.
Pixels
Most of the truly creative parts of this cute idea could fit in the space of a trailer … which you can enjoy for free online.
Trainwreck
Trainwreck, at least in terms of content, is just that—a careening, cataclysmic disaster loaded with stuff that no one should really ever want to see but, once there, is hard to turn away from
Ant-Man
This twelfth entry in the modern series of Marvel Universe movies feels a bit, uh, smaller (less groundbreaking) than the others. But as Ant-Man will tell ya, sometimes smaller is better.
Irrational Man
Mr. Allen’s cinematic efforts aren’t so much irrational as they are incongruous as he deftly uncovers the folly of postmodernism’s optimism.
The Gallows
Let’s be clear: Just because a horror flick is modestly better, content-wise, than its restrictive rating suggests, that doesn’t make it good.
Self/less
Self/less is exactly the movie you might expect, given its rating, its star and its summertime release: a crude, violent, intriguing popcorn flick. Too bad a better movie got lost along the way.
Magic Mike XXL
What Magic Mike XXL ultimately offers is shallow escapism—intended to be as sexy and as tawdry as its pretty-boy leads
Terminator Genisys
No matter how much a director strives to change a franchise’s cinematic past when rebooting it, all that change can really only go so far.
Ted 2
Ted 2 is a two-hour exercise in frustration, because you can see that behind all the foulness, MacFarlane can actually be disarmingly funny.