10 Cloverfield Lane
This is a horror movie, both intimate and sprawling in scope. And as a horror movie, it works. It works too well, perhaps.
The Young Messiah
The dramatic license taken by Rice comes across as wholly different from the likes of recent biblical epics Noah and Exodus.
The Brothers Grimsby
Shock-schlock provocateur Sacha Baron Cohen seems incapable of creating anything less than incomprehensible foulness.
Eye in the Sky
Through tense, clock-ticking drama and well-acted interactions, Eye in the Sky raises many questions about the new gray areas of military conflict.
Whiskey Tango Foxtrot
Kim’s vulgar, hedonistic tale that never quite meanders all the way to the meaning she’s so desperately looking for but can’t quite seem to find.
London Has Fallen
Even if the mayhem makes it past your familial sense of protectionism, the obscene language probably won’t.
Knight of Cups
Terrence Malick movies are like onions. Remove a layer, and there’s always another one to explore. And sometimes they can make your eyes burn, too.
Gods of Egypt
Gods of Egypt has some nifty CGI work, but is otherwise terrible in pretty much every sense of the word.
Triple 9
Triple 9 is a brutally profane, wincingly violent thriller that pretends to plumb the depths of moral ambiguity.
Risen
Risen accomplishes something quite remarkable: It tells the familiar, timeless story of Jesus’ death and resurrection from a fresh vantage point.