Director Ryuya Suzuki’s ‘Jinsei’ is unexpected, poignant and flat-out strange. It’s also besotted with problems that get more intense as …
1989’s ‘Glory’ is a top war film for a reason. But families should be advised of bloody battles and foul …
Everything that makes ‘Backrooms’ terrifying could come in a PG-13 package. Alas, it doesn’t.
Up-and-coming writer and director Curry Barker knows his craft, but in ‘Obsession,’ he uses his talents to tell a messed-up …
‘I Love Boosters’ doesn’t lack creativity. But this crime/comedy/fantasy surrealist satire falls short in decency and coherence.
‘Passenger’ feels like a series of online horror shorts all tied together with a gossamer narrative thread.
‘The Furious’ is packed with top-shelf martial arts action. But the end result is messy in oh so many ways.
In ‘Tuner,’ a guy with supersensitive hearing uses his unique skillset to crack safes. Too bad the film’s foul language …
The nice messages in Netflix’s ‘Little Brother’ are completely overshadowed by the film’s raunchy comedy, foul language and more.
Netflix’s ‘Voicemails for Isabelle’ is often sweet, sometimes funny and, all too often, problematic as well.
Netflix’s ‘In the Hand of Dante’ feels like a pretentious, smirkingly shocking, absolutely vacuous puddle of goo.
Paul Rudd plays a wedding band singer longing for better days. But though ‘Power Ballad’ strums a few nice chords, …
‘Color Book’ has some quiet and wonderful moments in its black-and-white palette. Too bad there are some off-color language bits, …
‘Deep Water’ is essentially two disaster movies rolled up in one. Squinting heroism and bloody carnage abound.
‘Mortal Kombat II’ is a faithful adaptation of its video game source material—which means lots of blood-soaked butchery.