Elvis & Nixon wants to grant us an engaging peek behind the curtain. A fictionalized, occasionally obscene peek behind the …
An audacious—and kind of awesome at times—update of the Rudyard Kipling-written, Disney-appropriated classic tale.
Criminal is a fitting name for this movie. Indeed, we could say, “This movie is Criminal” and leave it pretty …
The film somehow makes you feel like you’re simultaneously watching a well-oiled ensemble showcase and binge-watching a series of scatterbrained …
Throwing yourself headfirst into a garage-sized blender would be pretty gutsy, too. Though not much of a movie night.
Numbness initially keeps Davis’ grief submerged, but the pain still leaks out, sometimes in the way Davis sees reality.
God’s Not Dead challenges American Christians to grapple with the fact that freedom to express their faith is under fire. …
This ode to the early ’80s that takes its title from a Van Halen song is really all about perpetually …
While this movie’s violence doesn’t go beyond what we see in most Marvel flicks, the atmosphere here is so darkly …
Toula and her big fat Greek family are just as bold and brassy as you remember, just as warm and …
While this movie is marginally cleaner than its predecessors in terms of content, it’s unquestionably worse in terms of story.
This is a very human-feeling drama that’s still all about God’s priorities, God’s choices and God’s timing.
This is a horror movie, both intimate and sprawling in scope. And as a horror movie, it works. It works …