For the most part, BlacKkKlansman reflects upon the disturbingly vile mindset of the Ku Klux Klan in the 1970s.
This fishy tale is essentially Jaws on CGI steroids.
Slender Man is just a bad movie, and bad in every possible way.
This is a really tame romcom with lots of dogs. It’s not a dog movie for kids, in my estimation.
Anyone who buys a ticket to this R-rated Bond-ish spoof will need some kind of super-spy tech to get through …
This film wasn’t made just for kids. It was made for us—the adults who fret about our own Very Important …
A one-dimensional setup with one-dimensional relationships, one-dimensional heroes and a lot of dead kids.
This breakneck cinematic blender is set to “liquefy,” the top is off, and you’re the main ingredient.
Families who choose to cope with its inane gags will find a flick that delivers some solid messages about what …
The movie’s well-meaning messages are undercut, sometimes literally, at every turn.
While we can’t turn a blind eye to Blindspotting’s excesses, neither can we turn away from its multilayered message.
Dark Web delivers a deeply creepy cautionary warning—albeit in the trappings of a relatively restrained R-rated horror movie.
The moral potholes in this sequel once again present this musical’s most off-key moments.
Don’t Worry, He Won’t Get Far on Foot is filled with pain and anguish, contrasted with bright moments of hope.
Skyscraper is a CGI-infused hodgepodge of derivative bits culled from more memorable disaster thrillers.