Eoin Colfer, the author of the Artemis Fowl book series, described the novels as “Die Hard with fairies.”
This movie, focusing on two small-town kids in small-town America, feels intimate in a way that sci-fi films rarely attempt.
Whannel has crafted a film that plays out more as cruel reality than science fiction.
This big-screen take on Sega’s anthropomorphized cobalt cannonballer is mostly cute and cuddly.
By Pixar’s own high standards, Onward is a bit of a disappointment.
Strip away the language, airbrush out the blood, and you’ve got pretty much the same movie, only better.
Despite this film’s PG-13 rating, families may well choose to draw a line with Vin Diesel’s latest bloody actioner.
Despite what this movie’s title suggests, there are no witches in this live-action Disney classic.
This low-budget sci-fi movie’s popularity on Netflix won’t be augmented by Plugged In’s review of it.
Underwater skips exposition altogether and leaps with videogame-like glee into its deadly, high-pressure destruction.
Although The Sword in the Stone certainly delves into the world of magic and sorcery, it’s meant to be light …
For fans of this franchise, The Rise of Skywalker works: not necessarily logically, but emotionally.
This film feels anything but appropriate for families of young kids—the very audience you’d assume it’s made for.
Wendy is an imaginative and, I think, moving rumination on youth and age, dreams and grief.
This horror/comedy/fantasy mash-up tries to make light of Satan worship and spiritual hauntings.