One can only hope that wise parents are scared away from this freaky flick … long before their kids are.
This film blends its eerie atmospherics with brief moments of terrible, frighteningly realistic bloodshed.
Kin is darker and far less enjoyable than its publicity materials might have you think.
Mile 22 is dumb, frenetic and oh-so bloody—a feature-length romp through a hurricane of fists and feet and death.
The Wife offers a beautiful, complex, chaotic portrayal of a married couple whose relationship is haunted by a dark secret.
Slender Man is just a bad movie, and bad in every possible way.
This breakneck cinematic blender is set to “liquefy,” the top is off, and you’re the main ingredient.
Dark Web delivers a deeply creepy cautionary warning—albeit in the trappings of a relatively restrained R-rated horror movie.
While we can’t turn a blind eye to Blindspotting’s excesses, neither can we turn away from its multilayered message.
The movie’s well-meaning messages are undercut, sometimes literally, at every turn.
All the awkwardness of early adolescence is here. Yet, it left me wondering why so much of it had to …
Skyscraper is a CGI-infused hodgepodge of derivative bits culled from more memorable disaster thrillers.
